Wake Up, It’s Morning Now

Last night I watched the story of Bikram Lama, a Nepali man who came to Australia as an international student and later died while sleeping rough in Sydney’s CBD.

The story stayed with me.

I came to Australia with hope.

Nearly two years later, I find myself reflecting on a contradiction that reaches far beyond one country.

Universities celebrate global rankings.

Cities celebrate diversity.

Governments speak about innovation, talent, and international exchange.

These things matter.

Yet there is another side to the story.

Many of the people who help make a city global remain excluded from the resources that sustain life within it.

International students pay fees.

Researchers bring knowledge.

Artists contribute culture.

Workers fill essential roles.

Yet many live with housing insecurity, precarious employment, uncertain visas, and limited access to support.

The contradiction is difficult to ignore.

We benefit from internationalism, yet often distribute security through increasingly local and restricted systems.

A society becomes stronger when it attracts people from around the world.

The question is whether it is willing to care for those same people when they struggle.

Walking through Sydney, I see posters celebrating inclusion.

I believe many of those commitments are sincere.

Yet walking also reveals another city.

The city of shared rooms, rising rents, food queues, uncertain papers, and people carrying extraordinary qualifications while struggling to secure the basics of life.

This is not only an Australian question.

It is a global one.

What obligations do we have toward the people whose labour, knowledge, creativity, and presence help make our institutions successful?

Every society celebrates its achievements.

The harder question is:

Who carried the weight?

Who was welcomed as talent, yet abandoned as a person?

And what happens to those who are forgotten along the way?

I dedicate this photograph to Bikram Lama.
May the morning arrive for those still carrying the night.

Learn more: https://www.youtube.com/watch?v=_bnY_drWXNc

Sydney, Australia, Winter 2026

Artist and Doctor of Arts working across walking-based artistic research, photography, writing, and urban study. Available for commissions, artist talks, workshops, and collaborations.

Design models for The Seed: Biophilic Bench Design Studies by Jumana Hamdani and Sepa Sama, photographed during the Land Arc project at Kivik Art Centre, Sweden, now included in Rumble60 at UCLA Architecture and Urban Design

The Seed: Biophilic Bench Design Studies by Jumana Hamdani and Sepa Sama. Developed through the Land Arc project at Kivik Art Centre and Lund University, the work is now included in Rumble60 at UCLA Architecture and Urban Design. It explores sitting, walking, landscape, public space, and artistic research.

Photo: Sepa Sama

Los Angeles, USA, June 2026

Night workers / sidewalk image

Night workers on a Sydney sidewalk photographed by Sepa Sama as part of urban photography and walking-based artistic research

Shattered Topography: A Monument to Waste — photographic documentation of a public installation at Martin Place during Climate Action Week Sydney. Commissioned through UNSW, the work records a temporary urban intervention constructed from discarded construction material, reflecting on material cycles, waste, and climate responsibility within the everyday space of the city.

This image forms part of my ongoing practice connecting walking, urban observation, and photography as artistic research in public space.

Photo: Sepa Sama

Sydney, Australia, March 2026

Artists by window Black and white portrait of three people in an interior space, documenting Sepa Sama through photography and artistic research

Barrett House Residency — Final Exhibition

As my residency at Barrett House Studios comes to a close, these final days gather the work that has grown from walking, now turning into film, light, and sound. During the residency I worked toward composing a film, exploring a new language in filmmaking.

Presented as the final exhibition at Barrett House Studios in Randwick, Sydney, the project continues a practice where walking, observation, and artistic research unfold through moving image and the experience of place.

Photo: Mark Bond

Randwick, Sydney, Australia, November 2025